Wednesday, 24 May 2023

Remembering Chas Newby, 18 June 1941 - 23 May 2023

23 May, 2023

I am greatly saddened to report that Charles ‘Chas’ Newby has passed away at the age of 81.




When the Beatles returned from Hamburg in December 1960, Stuart Sutcliffe decided to stay in Germany. With gigs booked and missing a bass guitarist, drummer Pete Best suggested his friend Chas Newby fill in. Chas had been a member of Pete’s group the Black Jacks , and was now at college however, he was on holiday, and so he agreed to play with the Beatles.

Chas first enters the Beatles’ story in 1959 when, as a guitarist in a group called the Barmen, he performed at the Pillar Club in ‘Lowlands,’ Haymans Green where he first encountered George Harrison. George was playing there during what he would later refer to as his ‘moonlighting period’ as a member of the Les Stewart Quartet. Chas would later tell Mark Lewisohn [1] that even at that stage, 'George could play Carl Perkins better than Carl Perkins. He was an order of magnitude better than everyone else, and everyone recognised that'.  

Chas and another member of the Barmen, Bill Barlow were friends with Pete Best, the three attending the Collegiate School.  In August 1959 the Casbah Club opened across the road from Lowlands in the basement of Pete’s house. Many of the Pillar Club regulars started going to the Casbah as well and it was here that Chas first saw the Quarry Men, then comprising of John Lennon, Paul McCartney, George Harrison, and Ken Brown. He was really impressed by the fact that they could all sing, and particularly how they harmonised on numbers such as Three Cool Cats, 'which was brilliant'. 

Pete’s mum Mona ('a great character, an absolutely brilliant lady' Chas remembered) gave the Quarry Men had a residency at the Casbah from the opening night in August 1959 until early 1961, when, following a row with over their fee they stormed out vowing never to return.  In their place came a new band, The Blackjacks, a four-piece including former Barmen Chas Newby and Bill Barlow, former Quarry Man Ken Brown (all three on guitars) and Pete Best on drums, with Chas doing all the singing.

Pete joined the Beatles in August 1960 and went to Hamburg. Chas went off to college in St Helens.


Towards the end of the Beatles stay, George Harrison was deported for being underage. Needing a replacement guitarist Pete suggested his friend Chas Newby from the Blackjacks. Pete wrote to him from Hamburg and Chas replied by telegram explaining that he was away at college but was free for two weeks over Christmas if they still needed him. He was music mad and didn’t mind earning a bit of extra money over the holiday.

As is well known, following George’s departure the rest of the Beatles ended up coming home to Liverpool in disarray except for Stuart Sutcliffe, who had decided to remain in Hamburg with his girlfriend Astrid Kirchherr. Expecting to replace George in Hamburg, Chas instead found himself deputising for Stuart in Liverpool over the Christmas period.

Chas told the Liverpool Echo in 2019 'I borrowed a bass from a guy called Tommy McGuirk, but of course Tommy was right-handed, so I got this bass guitar and it's not as difficult as it sounds but I just played it upside down'. 

And so, Chas Newby, who coincidentally shared a birthday with Paul McCartney, became the Beatles’ first left-handed bass player.

'At that time they weren’t performing their own stuff', Chas recalled, 'It was just covers. I’d no idea that they’d been writing songs for years. George was the one I got on the best with. He was always telling funny stories about getting deported from Germany whenever we sat around chatting.'

Chas played four bookings with the Beatles:
  • 17 December at the Casbah Club
  • 24 December (Christmas Eve) at the Grosvenor Ballroom, Liscard, Wirral
  • 27 December, Litherland Town Hall
  • 31 December (New Year’s Eve) at the Casbah Club
George: Allan Williams put us in touch with a guy called Bob Wooler, a compere on the dance-hall circuit. He tried us out one night and put an ad in the paper: 'Direct from Hamburg. The Beatles'. And we probably looked German, too; very different from all the other groups, with our leather jackets. We looked funny and we played differently. We went down a bomb.

Paul: We all wore black that we had picked up in Hamburg. All the Liverpool girls were saying, 'Are you from Germany?' or 'I saw in the paper you are from Hamburg.'

John: Suddenly we were a wow. Mind you, 70% of the audience thought we were a German wow, but we didn't care about that. Even in Liverpool, people didn't know we were from Liverpool. They thought we were from Hamburg. They said, 'Christ, they speak good English!' which we did, of course, being English. 

It was that evening that we really came out of our shell and let go. We stood there being cheered for the first time. This was when we began to think that we were good. Up to Hamburg we'd thought we were OK, but not good enough. It was only back in Liverpool that we realised the difference and saw what had happened to us while everyone else was playing Cliff Richard shit.


The above comments from the Beatles Anthology are well known, as is a clip of John telling a similar story in the 1963 BBC Documentary ‘The Mersey Sound’ which has been re-used in numerous documentaries since. No doubt many fans have tried to visualise what these gigs must have been like, particularly the Litherland Town Hall gig, which has attained almost mythical status, but I wonder how many include Chas Newby in their mental image of the group on stage? 

It’s a pity none of the Beatles thought to mention his part in four of the most important gigs they ever played.

Speaking in 2012, Chas said he had no regrets about not sticking with the Beatles saying, 'to me then it was just four gigs with a different band, music was never going to be a living for me. All of us at that time were thinking what we were going to do with our lives, some doing teaching, or science, or whatever. I wanted to do chemistry. John, Paul, and George, they just wanted to be musicians.

They had been away in Hamburg. They’d played a hell of a lot over there, so they were very tight, very proficient, and they gave it some stick.


But I did the four gigs and went back to my college course the week afterwards.

They were getting £1 each per show, which was no living. I was working and having my education paid for by Pilkington Glass. [2]

By 4 January 1961, Chas was back at St Helens College, studying chemistry. While he remained a life-long friend of Pete Best and his extended family he only ever met one of the other Beatles in the flesh again after his time in the band – a random encounter in 1962:  'I was on my way home and I pulled up at some traffic lights. There, waiting at the crossing, was George. I said hello and asked if he needed a lift. He said he was waiting for someone and that was that. Off I went'.
 
When the Beatles finally hit the charts, he was ‘made up’ for them, explaining 'you’ve got to understand that the chances of them making it were miniscule. From when I left them to when Love Me Do came out was nearly two years.

The fact that they did make it was down to Brian’s hard work, their abundant talent and timing.'

Brian Epstein went round every record company he could. But everything was down in London. There were no recording studios in Liverpool, no music production industry at all.' 

By the time of the Beatles return to Hamburg to play at the Top Ten Club in 1961, Stuart had decided to leave the group permanently. It has been said that John Lennon asked Chas if he wanted to continue as the Beatles’ bass player, but he chose to go back to the college where he was studying.

After leaving college, Chas gained a master’s degree in chemical engineering from Manchester University. In 1971 he and Margaret moved to Alcester after getting work with Triplex, a firm manufacturing windscreen for trains and aircraft, including RAF Harrier jump jets and the Concorde fleet.

It was in the Warwickshire town that they had son Steve and daughter Jacqueline. Chas worked there until he retired in 1990. He then retrained as a maths teacher at Warwick University, before starting his job at Droitwich High School in Worcestershire.  He explained, 'I needed something else to do and I thought being a teacher would be good. I loved every minute of it – it was great. It was nice to be able to give something back. Some of my colleagues had been doing it for years, so were a bit fed up, especially when I turned up on my Harley Davidson motorbike looking like an old rocker.'

Sadly, his pupils were more interested in 1990s groups like the Spice Girls and Take That than their teacher’s amazing part in the story of the worlds most successful musical act.

Having practiced music in his spare time with a charity group, the Racketts, a 2016 meeting with Rod Davis at Bestfest in the Casbah Club led to Chas joining the reformed Quarrymen, the band John Lennon formed that later evolved into the Beatles.


As the author Philip Kirkland points out, this means that Chas Newby had the unique distinction of being the only man who was a Beatle first, then later a Quarry Man. 


The Quarry Men at the 60th anniversary of the Woolton Village Fete in 2017 -  John 'Duff' Lowe, Chas Newby, Len Garry, Rod Davis, Nigel Walley and Colin Hanton

Thursday, 1 December 2016

Olivia Harrison: Living in the Material World book and DVD signing at HMV Liverpool One

HMV
Liverpool One
South John Street
L1


1 December 2011


Facebook helpfully reminded me this morning that 5 years ago today I was lucky enough to meet the late George Harrison's wife Olivia at a book signing event held at the large HMV Store in Liverpool One. Here's some photos and memories of the night.

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Grammy Award winning producer and philanthropist, Olivia Harrison celebrates the release of her book, and the Martin Scorsese biopic film on DVD and Blu-Ray, ‘George Harrison – Living in the Material World’ with a signing session at HMV’s Liverpool ONE store, South John Street on Thursday 1st December 2011.

This was an opportunity not to be missed.

Leaving my office in Mathew Street later than usual, I made my way over to Liverpool One with my mate Stephen Bailey to meet up with our usual crowd of Liverpool based Beatles’ friends. I seem to recall some of them were quite near the front of the queue so we joined them, and probably got a few dirty looks from the people behind us.


The doors opened around 6pm and we made our way inside where we were advised to queue between the CD racks until we were called forward in turn to meet Olivia and get our books and DVDs signed.  But first we had to buy them...

There are many reasons why George is my favourite Beatle and any new product bearing his name which contains previously unseen photographs or film footage or audio recordings will usually get my seal of approval.

Olivia's appearance was to promote the DVD release of Martin Scorcese's Living In The Material World movie, and her companion book of the same name.

Prior to the release of the DVD the film had been broadcast as a two part Arena special on BBC 2 a fortnight earlier on 11 and 12 November 2011.

I absolutely loved it. With seemingly unlimited access to the Harrison's archive Scorcese uses never-before-seen stills and footage to trace George's journey from his birth in 1943, through his years with The Beatles, his solo career where he juggled music, philanthropic work and a career as a movie impresario, the joys and pain of his private life through to his untimely passing in 2001.

I particularly enjoyed the private home videos, photos and previously unreleased versions of some of George’s most popular songs expertly chosen by Scorcese to underpin the story of the "Quiet One". In fact, Living In The Material World shows that George was anything but quiet.

Both the film and Olivia's book are filled with reminiscences from Harrison’s family including his son Dhani, first wife Pattie Boyd, his brothers Peter and Harry and sister Louise; musicians Paul McCartney, Ringo Starr, Eric Clapton, Tom Petty and Phil Spector; Pythons' Terry Gilliam, and Eric Idle, and many, many others.

The promotional material for the film described it a a profoundly intimate and affecting work of cinema. I wholeheartedly agree. In parts I was laughing out loud, in others I was in tears.

In my opinion Tom Petty had the funniest stories to tell about George, including this one about ukuleles: "He came in with two ukuleles and gave me one. 'You gotta play this thing, it's great! Let's jam.' I have no idea how to play a ukulele. 'Oh, it's no problem, I'll show you.' So we spent the rest of the day playing ukuleles, strolling around the yard. My wrist hurt the next day. But he taught me how to play it, and a lot of the chord formations. When he was going I walked out to the car and he said, 'Well, wait... I want to leave some ukuleles here.' He'd already given me one, so I said, 'Well, I've got this.' 'No, we may need more!' He opened his trunk and he had a lot of ukuleles in there, and I think he left four at my house. He said, 'Well, you never know when we might need them, because not everybody carries one around.'"

By contrast the section where Olivia recounts the night they were attacked in their own home by an intruder and how she fought off the man after he had stabbed George is chilling and left me filled with a new admiration for her. What an amazingly strong woman (and my opinion was reinforced by her candidly talking about having to put up with George's infidelities. “Sometimes people say: what’s the secret of a long marriage? It’s like: you don’t get divorced.”)

Paul McCartney comes across as someone who sincerely loved George, and I personally don't get why some people believe the edits in his interview segments were set up to make him look foolish (implying the Harrison estate wanted to have a dig at Paul).

Towards the end of the Beatles Anthology series there's a bit where a clearly upset Ringo Starr recounts the demise of the group. In Living In the Material World it's Ringo again who gets to pull on the viewer's heartstrings, as overcome with emotion he talks about going to visit George shortly before he died. It's incredibly moving and I don't mind admitting I shed a few tears watching it.

Overall the film is a rare glimpse into the mind and soul of one of the most talented artists of his generation and a worthy successor to Scorcese's Bob Dylan biopic No Direction Home. My only complaint is that even with a running time of 208 minutes it's still not long enough to cover all of George's solo records - there's no mention of the Cloud Nine album for example, which rejuvenated his career in 1987.


A worthwhile companion to Scorsese’s film, similarly drawing on George’s personal archive of photographs, letters, diaries, and memorabilia, is Olivia’s book which reveals the arc of his life, from his guitar-obsessed boyhood in Liverpool, to the astonishment of the Beatles years, to his days as an independent musician, gardener and motor racing fanantic. It’s a great book, something I was happy to tell Olivia when it was my turn to step forward.



She asked me my name and began to sign. After telling her I enjoyed the film and not really knowing what else to say to her I asked the obvious “How are you doing?" and hoped I didn't come across as a scouse Joey Tribbiani.


She stopped writing and looked up at me and smiled and then turned to her aide and said 'I love it that whenever I come to Liverpool people always ask how I am'. I said that was good to know. Olivia was charming and gracious and, I suspect, as hard as nails. I thanked her and walked away, hoping Stephen had got a good photo or two of me with her.



This photo of my friend Ellie with Olivia made it onto the official George Harrison website. She pops up everywhere that girl!! 


Source:

http://www.georgeharrison.com/book-reviews-liverpool-signing-for-living-in-the-material-world/

Published 1 December 2016

Friday, 23 September 2016

Head Girl

33 Head Street,
Toxteth
Liverpool 8


The Birthplace of Julia Stanley

John Lennon's maternal family was Welsh.  His Great-Grandmother Mary Elizabeth Morris, whose family were all farmers in North Wales, was born on the family farm of Berth-Y-Glyd, in the village of Llysfaen, just outside Llandudno.

At some point she met and married John Millward from Flintshire in North Wales. They were living in Chester, when in 1873 their daughter Annie was born in the famous Bear and Billet Inn in Lower Bridge Street. Annie Millward would be John Lennon's Grandmother.

The Millwards moved to Liverpool when Annie was a small girl. Reportedly a wealthy Welsh uncle left Mary a tidy sum of money, so she bought five or six little properties dotted all around where workmen would shortly commence construction of the Anglican Cathedral in 1904. She rented these properties out and when they became vacant the Millwards would move in until a new tenant could be found. After Annie grew up and met George Stanley they continued living in the various houses and flats.

The story of the Stanley legacy, actually the Millward legacy, has been told verbally by John Lennon's cousin Stanley Parkes, and in print by John's half sister Julia Baird*. The alternative theory put forward to explain why the family had to keep moving addresses is because they were on the breadline and could not afford the rent. In fact there is no hard evidence supporting either explanation. Is it possible perhaps that the legacy story was told to save face whenever one of the kids asked why they had to move house again? Maintaining the right public image to give the impression that they were of a higher class than their neighbours was certainly a Stanley trait as Julia Baird's book confirms.

Annie's future husband George Ernest Stanley was born in 1874 in the Shaw Street area of Everton. John Lennon would know him as "Pop" Stanley. How he met Annie Millward is unclear but what is known is that by 1899 they had produced their first child and uncommonly for the times, did so out of wedlock.

What was common at that time was the heartbreak of infant mortality. Sadly their first two children died, Charlotte Alice in April 1900 (age 9 months) from pneumonia, and their only son, George Earnest in April 1903 (aged just 3 months) from indigestion.

Both children were buried within the grounds of St James Cemetery, just two of the 57,774 laid to rest between 1860 and 1936 in what was then the Liverpool's city cemetery.

Thankfully over the next ten years they would produce five healthy daughters. As a consequence of their living arrangements the five Stanley sisters were all born at different addresses.

Their third child, Mary Elizabeth Stanley (John's Aunt 'Mimi') was born on 24 April 1906 and baptised at St James Church just under a month later on 23 May. At this point the Stanleys were living at 21 Windsor Street, a short walk from the church but they were not here long. When George and Annie were finally married at the Liverpool Parish Church, St Peter's in Church Street, on 19th November 1906 they had moved to Cornwallis Street close to the Public Baths.

In 1908 whilst living at 5 Emerson Street, Annie gave birth to another daughter, Elizabeth Jane on 29 November. She was baptised at St James Church ten days later. To John and his cousins she was known as 'Mater'.

Julia Stanley (Left)

Annie ('Nanny') was born in 1911, Julia ('Judy', John Lennon's mother) in 1914 and finally Harriet ('Harrie') in 1916.



Three of the Stanley sisters. Left to right: Mater, Harrie and Mimi 


St James Church, where the Stanley daughters were baptised, sits on St James Place at the corner of Upper Parliament Street and Park Road, just a short walk from whichever property they were living in at the time.


The church was built in 1774–75 by Cuthbert Bisbrown, who also probably also designed it. The land was presented by Lord Sefton and the church, which costs £3000 was paid for by local shareholders. It was opened for its first service on June 4, 1775. The timber roof was added in 1846 by William Culshaw. The chancel, designed by H. Havelock Sutton, was built in 1900. At its peak in the late 1800s the congregation of St James  was so huge that there were 1,000 children in the Sunday School!

To local historians St James is of huge interest as one of the oldest standing churches in Liverpool. The architectural style of the interior is 'conventionally Georgian'. There are galleries on three sides, carried on slim quatrefoil cast iron columns said to be the earliest remaining examples in the whole country, which is why I was keen to visit it when it was opened to the public during September's annual Heritage Weekend.

Cast and wrought iron were to revolutionise the architecture and engineering of the 19th century and at St James we can see, in embryo, the start of the giant leap into vast light fireproof prefabricated structures, technology employed locally with great success during the construction of Liverpool's docks

Cast Iron column supporting the gallery. (Left)

The church of St James has often been referred to as ‘the slave church’ as many of the 27 shareholders who contributed to its cost were merchants engaged in the slave trade.

Inside the church there are 19 monuments dating from the late-18th and the early-19th centuries, many to the memory of people connected with the slave trade.

The burial registers of St James feature the names and origins of people from all over the world, including several who were black, buried without discrimination alongside each other in the church grounds. From about 1900 the graveyard was closed for internment and part of the land was used to widen St James Place. The remaining part of the yard was subsequently grassed over, which is how it remains today. 



In the east window is stained glass designed by Henry Holiday, dated 1881.

On 1 October 1974 the church was declared redundant, and on 9 June 1976 was vested in the Churches Conservation Trust. At one point the church was to be demolished to make way for a new motorway and ring road, plans which saw the demise of the David Lewis Theatre close by.  Luckily the planned road improvements were never made and St James was saved . In May 2010 the church was returned to the Liverpool Diocese and re-opened as the Church of St James in the City.  As it was in a "semi-derelict condition", a marquee was erected within the church to allow the resumption of worship. Repairs are being undertaken to secure the church's structure but as with the restoration of any historic building this will take time and a lot of money.


John Lennon's mother Julia was born on 12 March 1914 at 33 Head Street***, five months before the start of the Great War. At the time of Julia’s birth this was an area of poor quality dwellings as these photographs illustrate. 


Critchley Court. Poor quality 'Court' Housing in Back Chester Street which backed on to Head Street (1911). 


The maps show Head Street packed with back-to-back buildings of all different heights, squeezed into the space between Chester Street and Dexter Street. There was a mix of cramped court housing, tiny yards and workshops, with the whole area book-ended by the Anglican church of St James and the Catholic church of St Patrick.



Both churches are still there, but most of the streets in between have long since disappeared. Today, Head Street is little more than a small industrial estate, with workshops and small businesses where the houses once stood.

Some of the original buildings were still around as late as 1968, although the slum clearances may have begun as early as the 1940s — perhaps with a bit of unasked-for help from the Luftwaffe. We know that the last German bombs to fall on Liverpool came down on 10 January 1942, on Upper Stanhope Street, just one road away from Head Street. In a strange twist of fate, one of the houses destroyed was the former home of Alois Hitler, Adolf Hitler’s brother.**

  

Head Street (1968) looking towards St Patricks Church. The same view (2015) is shown below. Julia's house would have stood bottom right on the new photo.


Of course, by then the Stanleys had left Head Street. They moved several times after Julia's birth, spending much of the post war 1920s living at 23 Cedar Grove off Lodge Lane. By the 1930s they had resettled at 71a Berkley Street, around the corner from Upper Stanhope Street. The outbreak of war in 1939 saw the family move again, for the first time away from Toxteth and the nearby docks to Wavertree.

Berkley Street features again later in the Beatles' story. I'll cover that in a future post.   

Notes:

* Julias book Imagine This, Growing Up With My Brother John Lennon

** Alois Hitler and his family lived at 102 Upper Stanhope Street. Adolf Hitler is rumoured to have stayed with them here during 1912-13. The house was destroyed in the final night of the Blitz and the area is now landscaped.

Link: Watch some fascinating videos about the restoration of St James, presented by the Rev. Neil Short on the St James in the City Facebook page: https://www.facebook.com/St-James-Toxteth-Heritage-Hope-Project-417788251655356/











Another view of Chester Street at the time Julia Stanley was born.


Source:

Stanley family photos found on-line and used with the permission of David Birch.

Original photos of Liverpool from  Liverpool Record Office (LRO)

Thursday, 21 February 2013

Meat The Quarry Men

Stanley Abattoir Athletic and Social Club,
Prescot Road,
Old Swan, Liverpool
L13


There had been a market for livestock in the Old Swan area since 1830. Stanley Market was on a main corporation tram route, Prescot Road being the main road from Liverpool to the manufacturing districts of East Lancashire and Yorkshire. The site was acquired by Liverpool Corporation in 1901 and a new building for livestock and an abattoir costing £670,000 was opened by the Earl of Derby on 14 September 1931.

The largest meat market in Britain had a social club attached to the massive premises which catered for the staff of the huge slaughter house, their families and friends. At a time when they probably knew as much about vegetarianism as Transcendental Meditation the Quarry Men appeared here in a somewhat unusual engagement arranged by their mate / "manager" Nigel Walley. The Quarry Men were booked for a Saturday night dance on 16 November 1957, playing (as they regularly seemed to do during their formative years) on either side of the interval.

It is reported that their allegedly “cacophonous” performances were not well received and they were not re-booked. It seems they had spent some time calming their nerves in the nearby Cattle Market Public House which resulted in one or two band members being a little "worse for wear". (see also Finch Lane L.C.P.T).


At the time the area would have been quite unfamiliar to them being several miles and several buses away from their homes in South Liverpool. Within a few years however they were making regular appearances at St John’s Hall in Tuebrook, little over a mile away down Green Lane and hanging out at the home of Al Caldwell (Rory Storm) in nearby Broad Green.


A still from the film "Nowhere Boy" showing how the Quarry Men might have looked at the time of their appearance at Stanley Abattoir.

A busy scene at the Abattoir in 1958

Between 1956 and 1958 a serious outbreak of foot-and-mouth disease spread across the United Kingdom, peaking in 1957 when 20 counties in England and Wales, mostly in the North-West, were affected. Over 30,000 animals were slaughtered as a result. 

On 28 December 1957, just over a month after the Quarry Men appeared, the abattoir was shut down after foot-and-mouth disease was found in cattle waiting to be slaughtered. Inspectors from the Ministry of Agriculture were called in when eight suspected cases were found in carcasses. The Inspectors subsequently found 10 more cases in live cattle at the abattoir.

After being given the all-clear the abattoir re-opened on 2 January 1958 and operated until 1971. 

Liverpool's only wholesale meat and fish market continues to trade to this day selling meat purchased from local North West farmers using local abattoirs.


The Abattoir looms in the background of the former Stanley Public House which now stands forlornly on Prescot Road.


Another public house on the same street. Completed in the same year as the abattoir, the Cattle Market at 329 Prescot Road was visited by the Quarry Men prior to their engagement. The pub has since been demolished. (Photo courtesy of Ged Fagan, 3.8.70).


Stanley Abattoir pictured in 1959, two years after the Quarry Men's engagement.

Links:
Published 21 February 2013