Wednesday, 24 May 2023

Remembering Chas Newby, 18 June 1941 - 23 May 2023

23 May, 2023

I am greatly saddened to report that Charles ‘Chas’ Newby has passed away at the age of 81.

When the Beatles returned from Hamburg in December 1960, Stuart Sutcliffe decided to stay in Germany. With gigs booked and missing a bass guitarist, drummer Pete Best suggested his friend Chas Newby fill in. Chas had been a member of Pete’s group the Black Jacks , and was now at college however, he was on holiday, and so he agreed to play with the Beatles.

Chas first enters the Beatles’ story in 1959 when, as a guitarist in a group called the Barmen, he performed at the Pillar Club in ‘Lowlands,’ Haymans Green where he first encountered George Harrison. George was playing there during what he would later refer to as his ‘moonlighting period’ as a member of the Les Stewart Quartet. Chas would later tell Mark Lewisohn [1] that even at that stage, 'George could play Carl Perkins better than Carl Perkins. He was an order of magnitude better than everyone else, and everyone recognised that'.  

Chas and another member of the Barmen, Bill Barlow were friends with Pete Best, the three attending the Collegiate School.  In August 1959 the Casbah Club opened across the road from Lowlands in the basement of Pete’s house. Many of the Pillar Club regulars started going to the Casbah as well and it was here that Chas first saw the Quarry Men, then comprising of John Lennon, Paul McCartney, George Harrison, and Ken Brown. He was really impressed by the fact that they could all sing, and particularly how they harmonised on numbers such as Three Cool Cats, 'which was brilliant'. 

Pete’s mum Mona ('a great character, an absolutely brilliant lady' Chas remembered) gave the Quarry Men had a residency at the Casbah from the opening night in August 1959 until early 1961, when, following a row with over their fee they stormed out vowing never to return.  In their place came a new band, The Blackjacks, a four-piece including former Barmen Chas Newby and Bill Barlow, former Quarry Man Ken Brown (all three on guitars) and Pete Best on drums, with Chas doing all the singing.

Pete joined the Beatles in August 1960 and went to Hamburg. Chas went off to college in St Helens.

Towards the end of the Beatles stay, George Harrison was deported for being underage. Needing a replacement guitarist Pete suggested his friend Chas Newby from the Blackjacks. Pete wrote to him from Hamburg and Chas replied by telegram explaining that he was away at college but was free for two weeks over Christmas if they still needed him. He was music mad and didn’t mind earning a bit of extra money over the holiday.

As is well known, following George’s departure the rest of the Beatles ended up coming home to Liverpool in disarray except for Stuart Sutcliffe, who had decided to remain in Hamburg with his girlfriend Astrid Kirchherr. Expecting to replace George in Hamburg, Chas instead found himself deputising for Stuart in Liverpool over the Christmas period.

Chas told the Liverpool Echo in 2019 'I borrowed a bass from a guy called Tommy McGuirk, but of course Tommy was right-handed, so I got this bass guitar and it's not as difficult as it sounds but I just played it upside down'. 

And so, Chas Newby, who coincidentally shared a birthday with Paul McCartney, became the Beatles’ first left-handed bass player.

'At that time they weren’t performing their own stuff', Chas recalled, 'It was just covers. I’d no idea that they’d been writing songs for years. George was the one I got on the best with. He obviously knew Pete from school: He was always telling funny stories about getting deported from Germany whenever we sat around chatting.'

Chas played four bookings with the Beatles:
  • 17 December at the Casbah Club
  • 24 December (Christmas Eve) at the Grosvenor Ballroom, Liscard, Wirral
  • 27 December, Litherland Town Hall
  • 31 December (New Year’s Eve) at the Casbah Club
George: Allan Williams put us in touch with a guy called Bob Wooler, a compere on the dance-hall circuit. He tried us out one night and put an ad in the paper: 'Direct from Hamburg. The Beatles'. And we probably looked German, too; very different from all the other groups, with our leather jackets. We looked funny and we played differently. We went down a bomb.

Paul: We all wore black that we had picked up in Hamburg. All the Liverpool girls were saying, 'Are you from Germany?' or 'I saw in the paper you are from Hamburg.'

John: Suddenly we were a wow. Mind you, 70% of the audience thought we were a German wow, but we didn't care about that. Even in Liverpool, people didn't know we were from Liverpool. They thought we were from Hamburg. They said, 'Christ, they speak good English!' which we did, of course, being English. 

It was that evening that we really came out of our shell and let go. We stood there being cheered for the first time. This was when we began to think that we were good. Up to Hamburg we'd thought we were OK, but not good enough. It was only back in Liverpool that we realised the difference and saw what had happened to us while everyone else was playing Cliff Richard shit.

The above comments from the Beatles Anthology are well known, as is a clip of John telling a similar story in the 1963 BBC Documentary ‘The Mersey Sound’ which has been re-used in numerous documentaries since. No doubt many fans have tried to visualise what these gigs must have been like, particularly the Litherland Town Hall gig, which has attained almost mythical status, but I wonder how many include Chas Newby in their mental image of the group on stage? 

It’s a pity none of the Beatles thought to mention his part in four of the most important gigs they ever played.

Speaking in 2012, Chas said he had no regrets about not sticking with the Beatles saying, 'to me then it was just four gigs with a different band, music was never going to be a living for me. All of us at that time were thinking what we were going to do with our lives, some doing teaching, or science, or whatever. I wanted to do chemistry. John, Paul, and George, they just wanted to be musicians.

They had been away in Hamburg. They’d played a hell of a lot over there, so they were very tight, very proficient, and they gave it some stick.

But I did the four gigs and went back to my college course the week afterwards.

They were getting £1 each per show, which was no living. I was working and having my education paid for by Pilkington Glass. [2]

By 4 January 1961, Chas was back at St Helens College, studying chemistry. While he remained a life-long friend of Pete Best and his extended family he only ever met one of the other Beatles in the flesh again after his time in the band – a random encounter in 1962:  'I was on my way home and I pulled up at some traffic lights. There, waiting at the crossing, was George. I said hello and asked if he needed a lift. He said he was waiting for someone and that was that. Off I went'.
When the Beatles finally hit the charts, he was ‘made up’ for them, explaining 'you’ve got to understand that the chances of them making it were miniscule. From when I left them to when Love Me Do came out was nearly two years.

The fact that they did make it was down to Brian’s hard work, their abundant talent and timing.'

Brian Epstein went round every record company he could. But everything was down in London. There were no recording studios in Liverpool, no music production industry at all.' 

By the time of the Beatles return to Hamburg to play at the Top Ten Club in 1961, Stuart had decided to leave the group permanently. It has been said that John Lennon asked Chas if he wanted to continue as the Beatles’ bass player, but he chose to go back to the college where he was studying.

After leaving college, Chas gained a master’s degree in chemical engineering from Manchester University. In 1971 he and Margaret moved to Alcester after getting work with Triplex, a firm manufacturing windscreen for trains and aircraft, including RAF Harrier jump jets and the Concorde fleet.

It was in the Warwickshire town that they had son Steve and daughter Jacqueline. Chas worked there until he retired in 1990. He then retrained as a maths teacher at Warwick University, before starting his job at Droitwich High School in Worcestershire.  He explained, 'I needed something else to do and I thought being a teacher would be good. I loved every minute of it – it was great. It was nice to be able to give something back. Some of my colleagues had been doing it for years, so were a bit fed up, especially when I turned up on my Harley Davidson motorbike looking like an old rocker.'

Sadly, his pupils were more interested in 1990s groups like the Spice Girls and Take That than their teacher’s amazing part in the story of the worlds most successful musical act.

Having practiced music in his spare time with a charity group, the Racketts, a 2016 meeting with Rod Davis at Bestfest in the Casbah Club led to Chas joining the reformed Quarrymen, the band John Lennon formed that later evolved into the Beatles.

As the author Philip Kirkland points out, this means that Chas Newby had the unique distinction of being the only man who was a Beatle first, then later a Quarry Man. 

The Quarry Men at the 60th anniversary of the Woolton Village Fete in 2017 -  John 'Duff' Lowe, Chas Newby, Len Garry, Rod Davis, Nigel Walley and Colin Hanton

Friday, 28 April 2023

Fab Four Tops Backdrop sketches by Paul McCartney unveiled at Liverpool Beatles Museum

Liverpool Beatles Museum
Mathew Street

Thursday 27 April 2023 

Some of the invited guests waiting for today's big reveal at the Liverpool Beatles Museum

Monday, 10 April 2023

Walking The Beatles' London - October 2022 (part eight): Chiswick House

Day 2 - Part 2

Chiswick House and Gardens,
Burlington Lane,
Chiswick, W4

Despite some strong competition from St Pancras Old Church and the area around Soho, our penultimate location on this trip was quite possibly the best location of the entire weekend.

The Beatles came here on 20 May 1966 with director Michael Lindsay-Hogg to film promotional films for both sides of their new 'Paperback Writer' / 'Rain' single. 

They had spent the previous day being filmed at EMI studios by Lindsay-Hogg - with whom they would later  make both the ‘Hey Jude’ and ‘Revolution’ promo clips in 1968 and the ‘Let It Be’ film in 1969 - giving straight to camera mimed performances of both sides of the single.  Multiple black and white takes of the both 'Paperback Writer' and 'Rain' were filmed (in black and white) in addition to a colour clip for each, the latter intended for broadcast on ‘The Ed Sullivan Show’, with Ringo explaining in the specially taped introduction that they were too busy with the washing and the cooking (and recording 'Revolver') to fly over to New York and appear on the show in person.

Those clips were shot on video tape, and have visually dated. For the following day’s filming at Chiswick House, Lindsay-Hogg decided to use colour 35mm film, resulting in images that despite being 56 years old still look as crisp and sharp today as they did when they were recorded.  Arguably the Beatles' two greatest promotional films, they are now considered to be the precursors for today's ubiquitous music videos.      

'The idea was that we'd use them in America as well as the UK, because we thought, we can't go everywhere. We're stopping touring and we'll send these films out to promote the record... These days obviously everybody does that - it's part of the promotion for a single - so I suppose in a way we invented MTV' (George Harrison)

Sunday, 9 April 2023

Walking The Beatles' London - October 2022 (part seven)

A recap: On Saturday 8 October 2022, I went down to London with my fellow Beatles historian Steve Bradley to attend Evolver 62, Mark Lewisohn’s one-man show at the Bloomsbury Theatre. 

The show didn’t start until 7.30pm so we agreed in advance that it would be too late to travel home afterwards and decided to make a weekend of it. Armed with The Beatles London, the indispensable guide to the 467 Beatles’ sites in the capital, Steve drew up an itinerary and we decided to try and visit as many as we could. 

Of course, we didn't get anywhere near the magic 467, but we managed to see quite a lot of them before we had to be at the Bloomsbury.

Sunday 9 October -  coincidentally what would have been John Lennon's 82nd birthday - was slightly more relaxed, but we still managed to visit two major Beatles' sites in London, and a couple of curios en-route, before our final destination, which will be familiar to anyone who has watched their second feature film.

And so, without ferda adoo, as we say in Liverpool, here's day two  - part one: 

We stayed at the Premier Inn Clapham (spotlessly clean and a magnificent all you can eat cooked breakfast), on Lavender Hill which co-incidentally - or probably not given Steve's meticulous planning - is actually a Beatles' location, appearing in the opening scenes of Magical Mystery Tour.

On the morning of Sunday 29 October 1967, Richard B. Starkey (Ringo) and his 'Aunt'  (Jessie Robbins) were filmed on Lavender Hill and some of the adjacent side-streets. To establish precisely which, we needed to go beyond my well thumbed copy of the Beatles' London (now with added Mark Lewisohn autograph).

Theatre Street, SW11

They are first seen huffing and puffing their way up a steep street of terraced houses towards the camera. The Beatles' London says this was filmed on Acanthus Road. In fact, it was filmed a few streets further up Lavender Hill on Theatre Street.

Ringo and Jessie at the bottom of Theatre Street, and the same view today.

They are then seen in profile arguing as they pass 19 Theatre Street, which rather wonderfully still appears to have its original front door today.

Lavender Hill, SW11

This is where it starts to get a little confusing.  Ringo and Jessie are then seen from behind as they reach the top of the hill and turn right onto Lavender Hill where the bus is parked. Here they are greeted by 'Jolly Jimmy Johnson, the Courier'. 

You would assume that this is the top of Theatre Street but no.  The bus was parked outside an estate agents called Woodruffs, and Ringo and Jessie are seen turning out of Acanthus Road. 

Walking The Beatles' London - October 2022 (part six)

Evolver '62

Thursday, 16 March 2023

Behind That Locked Door: Inside the Harrison family home

25 Upton Green,
Liverpool L24

When Beatles' historian Steve Bradley invited me and a few friends over for breakfast at the former home of George Harrison on Sunday morning, the opportunity to photograph the house from top to bottom was too good to miss. To amuse ourselves we also tried to recreate every known photograph of George at the house.

I remembered to bring some props, Steve remembered the buns, but did anyone remember the matches and candles?

25 Upton Green, the Harrison's family home from January 1950 until August 1962. 

Sunday, 30 October 2022

Walking The Beatles' London - October 2022 (part three)

A recap: On Saturday 8 October 2022, I travelled down to ‘That London’ [1] with my fellow Beatles historian Steve Bradley [2] to attend Evolver 62, Mark Lewisohn’s one-man show at the Bloomsbury Theatre. 

The show didn’t start until 7.30pm so we agreed in advance that it would be too late to travel home afterwards and decided to make a weekend of it. Armed with The Beatles London [3], the indispensable guide to the 467 Beatles’ sites in the capital, Steve drew up an itinerary and we decided to try and visit as many as we could. 

Of course, we didn't get anywhere near the magic 467, but we managed to see quite a lot of them. 

And so, without further ado, here's part three:

Wednesday, 19 October 2022

Walking The Beatles’ London - October 2022 (part two)

A recap: On Saturday 8 October 2022, I travelled down to ‘That London’ with my friend and fellow Beatles historian Steve Bradley [1] to attend Evolver 62, Mark Lewisohn’s one-man show at the Bloomsbury Theatre. 

The show didn’t start until 7.30pm so we agreed in advance that it would be too late to travel home afterwards and decided to make a weekend of it. Armed with The Beatles London [2], the indispensable guide to the 467 Beatles’ sites in the capital, Steve drew up an itinerary and we decided to try and visit as many as we could. 

Of course, we didn't get anywhere near the magic 467, but I discovered that if you are prepared to spend two days walking 23 miles [3] around the streets of London, powered primarily by Guinness and wine gums, you do manage to see quite a lot of them.

And so, in the order we visited them, here's day one, part two: